{"id":659,"date":"2017-10-18T16:22:42","date_gmt":"2017-10-18T15:22:42","guid":{"rendered":"http:\/\/alexandre-heyraud.com\/?p=659"},"modified":"2017-11-26T15:24:42","modified_gmt":"2017-11-26T14:24:42","slug":"carmen","status":"publish","type":"post","link":"http:\/\/alexandre-heyraud.com\/index.php\/carmen\/","title":{"rendered":"Carmen"},"content":{"rendered":"<p>Bizet<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-866\" src=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/vignette-Carmen.jpg\" alt=\"\" width=\"218\" height=\"218\" srcset=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/vignette-Carmen.jpg 218w, http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/vignette-Carmen-150x150.jpg 150w\" sizes=\"(max-width: 218px) 85vw, 218px\" \/><\/p>\n<p><strong>Carmen<\/strong><\/p>\n<hr \/>\n<p>Une Espagne inspir\u00e9e des d\u00e9cors de ballets de Picasso. L&rsquo;ar\u00e8ne comme le th\u00e9\u00e2tre du drame.<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2036\" src=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/Carmen-1.gif\" alt=\"\" width=\"694\" height=\"394\" \/><\/p>\n<hr \/>\n<p>Op\u00e9ra-comique en quatre actes \/ livret<strong>\u00a0Henri Meilhac<\/strong>\u00a0et<strong>\u00a0Ludovic Hal\u00e9vy<\/strong>\u00a0d&rsquo;apr\u00e8s la nouvelle de\u00a0<strong>Prosper M\u00e9rim\u00e9e <\/strong>\/ musique\u00a0Georges<strong> Bizet\u00a0<\/strong>\/ mise en sc\u00e8ne\u00a0\u00a0<strong>Jean-Louis Pichon <\/strong>assit\u00e9 de<strong> Sylvie Auget <\/strong>et<strong> Jean-Christophe Mast <\/strong>\/ costumes\u00a0<strong>Fr\u00e9d\u00e9ric Pineau<\/strong> \/ lumi\u00e8re<strong> Michel Theuil <\/strong>\/ chor\u00e9graphie\u00a0<strong>Begonia Astuy<br \/>\n<\/strong><\/p>\n<hr \/>\n<p><strong>Palais des sports de Li\u00e8ge<\/strong>, Belgique \/ Septembre 1995<br \/>\n<strong>Op\u00e9ra de Saint-Etienne <\/strong>\/\u00a0Octobre 1995 \/ Mars\u00a02000 \/ Juin\u00a02007<br \/>\n<strong>Teatro Politeama de Palerme<\/strong>, Italie\/ Mars 1996<br \/>\n<strong>Teatro Rendano de Cosenza<\/strong>, Italie \/ D\u00e9cembre 1999<br \/>\n<strong>Op\u00e9ra Royal de Wallonie<\/strong>, Belgique \/ Avril 2000<br \/>\n<strong>Op\u00e9ra de Marseille\/<\/strong>\u00a0Juin 2001<br \/>\n<strong>Op\u00e9ra Zuid de Maastricht<\/strong>, Pays-Bas \/ Octobre 2002<br \/>\n<strong>Z\u00e9nith Om\u00e9ga Toulon <\/strong>\/\u00a0Octobre 2004<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1021\" src=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/01-5.jpg\" alt=\"\" width=\"694\" height=\"394\" srcset=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/01-5.jpg 694w, http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/01-5-450x255.jpg 450w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1023\" src=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/03-5.jpg\" alt=\"\" width=\"694\" height=\"394\" srcset=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/03-5.jpg 694w, http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/03-5-450x255.jpg 450w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><br \/>\nActe 1 \/ une place \u00e0 S\u00e9ville<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1027\" src=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/05-5.jpg\" alt=\"\" width=\"694\" height=\"394\" srcset=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/05-5.jpg 694w, http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/05-5-450x255.jpg 450w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><br \/>\nActe 2 \/ la taverne de lillas Pastia<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1032\" src=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/08-5.jpg\" alt=\"\" width=\"694\" height=\"394\" srcset=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/08-5.jpg 694w, http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/08-5-450x255.jpg 450w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/>Acte 3 \/ un paysage rocheux<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1039\" src=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/014-5.jpg\" alt=\"\" width=\"694\" height=\"394\" srcset=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/014-5.jpg 694w, http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/014-5-450x255.jpg 450w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><br \/>\nActe 4 \/ devant les ar\u00e8nes<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1052\" src=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/024-3.jpg\" alt=\"\" width=\"694\" height=\"394\" srcset=\"http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/024-3.jpg 694w, http:\/\/alexandre-heyraud.com\/wp-content\/uploads\/2017\/10\/024-3-450x255.jpg 450w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><br \/>\nFinal<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bizet Carmen Une Espagne inspir\u00e9e des d\u00e9cors de ballets de Picasso. L&rsquo;ar\u00e8ne comme le th\u00e9\u00e2tre du drame. Op\u00e9ra-comique en quatre actes \/ livret\u00a0Henri Meilhac\u00a0et\u00a0Ludovic Hal\u00e9vy\u00a0d&rsquo;apr\u00e8s la nouvelle de\u00a0Prosper M\u00e9rim\u00e9e \/ musique\u00a0Georges Bizet\u00a0\/ mise en sc\u00e8ne\u00a0\u00a0Jean-Louis Pichon assit\u00e9 de Sylvie Auget et Jean-Christophe Mast \/ costumes\u00a0Fr\u00e9d\u00e9ric Pineau \/ lumi\u00e8re Michel Theuil \/ chor\u00e9graphie\u00a0Begonia Astuy Palais des &hellip; <a href=\"http:\/\/alexandre-heyraud.com\/index.php\/carmen\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Carmen&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/posts\/659"}],"collection":[{"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/comments?post=659"}],"version-history":[{"count":68,"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/posts\/659\/revisions"}],"predecessor-version":[{"id":2072,"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/posts\/659\/revisions\/2072"}],"wp:attachment":[{"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/media?parent=659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/categories?post=659"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/alexandre-heyraud.com\/index.php\/wp-json\/wp\/v2\/tags?post=659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}